third installment of the jazz is dead series on regular black vinyl.

five track ep with two killer remixes by fabrizio mammarella and geneva jacuzzi.

joao donato joins adrian younge and ali shaheed muhammad on the 7th jazz is dead installment. limited pressing on green vinyl.

joao donato joins adrian younge and ali shaheed muhammad on the 7th jazz is dead installment. regular pressing on black vinyl.

a highly politically conscious album from multi-instrumentalist, composer and producer adrian younge.

vinyl only

alto saxophonist gary bartz joins adrian younge and ali shaheed muhammad on the 6th jazz is dead installment. limited pressing on red coloured double vinyl.

chilliger soul ...

adrian younge and ali shaheed muhammad invite doug carn for part 5 of the jazz is dead series. regular pressing on black double vinyl, cut at 45rpm and housed in a die-cut sleeve.

adrian younge and ali shaheed muhammad invite doug carn for part 5 of the jazz is dead series. limited pressing on purple double vinyl, cut at 45rpm and housed in a die-cut sleeve.

the 4th jazz is dead release sees adrian younge & ali shaheed muhammad team up with brazilian fusion band azymuth. pressed on black double vinyl, cut at 45rpm.

diese tracks haben etwas an sich, was die nostalgie der 80er zurückbringt, ohne jedoch ein zeitgemäßes gefühl zu verlieren. mit remixen des großen baldo, antoni maiovvi und mufti.

adrian younges contribution to the produced by series, featuring georgia anne muldrow, estelle, gallant and black thought. comes with all instrumentals on the flip.

the 2016 album from adrian younge and venice dawn back on vinyl, housed in a gatefold sleeve.

the midnight hour is black excellence: an ode to the cultural sophistication that the harlem renaissance established for its people. the midnight hour is comprised of ali shaheed muhammad and adrian younge, alongside a tight rhythm section and a full orchestra.

soul / jazz / hip hop instrumental album by adrian younge & ali shaheed muhammad

temples of jura is a new offshoot catering for original artist material from a variety of genres. the first release is a split dub 12inch featuring melbournes len leise and adelaides jura soundsystem. as the title suggests lens track is a homage to the legendary dub pioneer adrian sherwood whilst jura soundsystem debut with a more rootsy excursion across 3 mixes.

nice price deal !!!

nice price deal !!!

sherwood at the controls vol.2: 1985-1990 liefert 16 von sherwood produzierte oder remixte tracks zwischen electro, industrial, noise, hiphop, afrobeat und dub aus der zeitphase zwischen 1984 bis 1990. klassiker und raritäten, cd-erstveröffentlichungen und fünf(!) komplett unveröffentlichte tracks von lee perry, dub syndicate, bim sherman und african head charge. dazu ausführliche linernotes mit den entstechungsgeschichten der einzelnen tracks, archivfotos, lavelscans, uvm. alle formate unmixed.

with the sequel just been released, adrian younge reissues part 1 of his collaboration with ghostface killah on his own linear labs label. originally released in 2013 on rzas soul temple imprint.

the inaugural blank mind — a jab jab carnival banger from grenada — revisited by shake shakir, harmonious thelonious and alan johnson. adrian lenz cover me (shake shakir remix), adrian lenz cover me (shake shakir instrumental), sandman no prisoners (alan johnson remix) sandman no prisoners (harmonious thelonious remix)

ever-reliable talent scouts, sinnmusik bring together two more auspicious names - barcelona based adrian and collaborative duo, vague recollection for back n front vol. 1, a raucous concoction of rattling percussion and hefty low-end grooves.

rough house and detroit techno killer tracks on this new vinyl from vibe me!!! the new member of the family adrian rodd (catwash/movements) signs the single since 1990, a powerfull old house bomb where the groove and the dirty vocal line push loud till the end! simply amazing. big sound from the new techno talent jonas kopp on the first remix of the release. no words needs. he rules. the second remix on b1 was touched from one of the most interesting artist coming out now. whim-ee from france. we are just proud to release her sound. listen to believe. the last remix its from mussen, label manager of vibe me. that close the release with an hard-techno kick and dark bassline. just for clubbers.

groovy bass lines, sassy drums and a classic and clubby wave conduction. there is a little something in every track to help you find the mood when you miss the groove

benno blome and adrian martin have created a reminiscence of sound. echoes calling from the past into the very moment you are in. *echoes from home* recalls the deepest and hidden treasures lying and waiting patiently inside your soul. creatively complex in movement, the sound carpet is easy and accessible from every point of listening. a touch of incense from the past combined with todays visionary artistry of both performers. close your eyes and follow the echo, the capturing flow from the original version. the nico stojan mix is a sexy combination of the original flow with a touch of bitchy attitude added to the bass line. perfect for a more hidden place near the dance floor while kellerkind has added a deep sassy feel to his interpretation of *echoes from home*. both versions pay tribute to the original mix without losing either the originals or their own character. this is *echoes from home*, the more you hear it, the more you want to play it!

12 inch ep zum neuen adrian sherwood-album >survival & resistance< mit vier neuen tracks, basierend auf samples aus dem album, aber mit dem unnachgiebigen bounce des dancehalls komplett reloaded/recovered und dancefloortauglich gemacht. für sherwoods berüchtigten live- und dj-sets, die bekanntlich ordentlich bangen.

record store day is synonymous with exclusive and limited releases and this year is no different. featuring a collaboration ep with adrianyounge from venice dawn and black dynamite fame and adrian quesada from the echocentrics, ocote soul sounds, brownout and grammy-winning grupo fantasma. a first name is not all adrian younge and adrian quesada share, they also both have an equal love of the psychedelic, the cinematic and at the root of it all, soul music. so it was inevitable that a collaboration would eventually come to fruition. mutual admirers of each others work, they first met at the sxsw music festival while on the same bill. both began their production careers on mpc and taught themselves various instruments to further capture the symphonies heard in their heads. fresh off his current solo project something about april under the moniker venice dawn, adrian younge found time to create all new tracks with adrian quesada who just released his echoland tribute to timbaland with the echocentrics. although both are distinct artists in their own right, they are cut from the same cloth with a signature sound thats equal parts morricone, early portishead, wu-tang and 60s psychedelic cinema soundtracks. their combined efforts on this ep guarantees a double dose of the sound we have come to expect from these talented individuals.

das debütalbum von adrian zaar als doppelvinyl im gatefold-cover. das 1. vinyl enthält die original-titel, die auf der 2. scheibe von we love machines, johnny rox, mastra, beats on demand und anderen geremixt wurden.

introducing the jab jab of grenada. adrian lenz & sandman deliver exceptional hypnotic dancefloor inflictions. for j ouvert, the jab jab covered in oil take to the streets drinking rum from 2 in the morning. >cover me< is a call to arms. pulsating horns and rampant drums drive adrian lenz s ecstatic vocal cries, causing a riot of impassioned urgency. bells reverberate the dread march of >no prisoners<, sandmans stone-faced premonition commands the percussive undulations of this cavernous riddim.

this is the second half of the story of >show< - the 12 inch vinyl >showtime<. a rock hard uncompromised dub/dub-step influenced ep with 2 new andreas tilliander tracks and 2 exceptional remixes.

the >teenage crime< gets re-crimed by axwell and henrik b.

constant development in stagnating musical landscapes is the key to remain catchy as an artist these days. adrian martin & eleminal are always yearning for progress. >la calma<, their new release on miniload gives you a listen on their growing sophistication. an adroit beat conduction married to a sneaky bass giving birth to a tremendous and powerful musical moment, peppered with hidden hooks and a savory break. >la calma< is smoother than previous releases by adrian & eleminal without condemning a certain roughness of preceding collaborations. tom clark (highgrade records) follows that footprint, though adding a more frontal bass paired with a dreamy almost breathed on jazzy feel melody construction. miniload artists doppelt gemoppelt are redefining >la calma< in a straighter harmonization. no vanilla - just a clear and well structured body, adding cushy noises and warm imbedded waves.

incl huge jerome sydenham remix!! brill deep and medlodic , dubby & detroit influenced monster tune

played by dfa, boris dlugosch, phones, maral salmassi, jerry bouthier, cajuan, freeform five… azzido da bass is certainly a busy boy! this year he has been touring the world playing various shows in bejing, london and singapore. and on top of running his own label >luscious sounds< he has managed to find time to write and produce yet another track for it. and here it is >so wrong< feat adrian holtz on vocals. after the success of his last single >lonely by your side< feat. jonny blake of zoot woman with remixes by booka shade and play paul, >so wrong< is set to be a winner especially with its grinding remix from speaker junk. so wrong starts off with a late 80s-tastic m.a.r.r.s influenced beat, until a pleasing thick and squidgy bass line bounces in…

nice price deal !!! monster dark hypnotic tribal house shaker... remixes with more electro touch

brill deep minimal tech tracks

various artists disco ep

rock

limited pink coloured vinyl.

classic black vinyl edition.

saxophonist wendell harrison and trombonist phil ranelin join the jazz is dead series on issue 16.

ali shaheed muhammad & adrian younge keep on paying tribute to past legends and new school torchbearers alike with their jazz is dead series.

exclusive instrumental versions of collaborations from adrian younge and ali shaheed muhammad with various musical legends.

cd album + dub cliche, a special edition cd with dub remixes plus new tracks